Abstract - Open Source Culture
Open Source Culture: Participatory Culture and the Digital Divide
Henry Jenkins’ recent publications on convergence have focused on the way that the active audience, equipped with the productive and distributive tools of digital technology might transform the waning public sphere in the
By focusing on the tactics of participation that are deployed in the global ‘South’ through a case study of media practices and consumption in Venezuela this article will demonstrate what is at stake in the shift to a media paradigm of convergence. In particular I will focus on the role that media piracy plays in providing a heterogeneous space of participation outside the news and telecommunications media, which have come under increasingly strict government controls since Hugo Chávez’s 2006 re-election.
To address this precarious participation in global media production, enabled through illegal practices that are disciplined by both local and global forces, I will turn to the work of Néstor García Canclini and George Yúdice on the uneven relationship between consumption and citizenship in order to contest dominant dialogues of piracy. Finally the article will re-examine piracy in the context of open source, in order to argue that to extend the consumer/citizen empowerment of convergence globally the notion of open source must be extended to include hardware, and education, as well as software.